Different track actions, such as duplicating or disabling/enabling tracks, no longer causes Native Instruments Komplete Kontrol to lose sync.

The name of a channel in the MixConsole is no longer truncated at certain zoom settings.

Broadcast Wave file settings are now correctly saved in the project settings.

Render in Place now creates Broadcast Wave files (instead of Wave files) to include data like origin time, track name and more in the file chunk.

Data in the controller lane for program change events is now displayed consistently with the info line (from 1-128).

MIDI notes are no longer missing in exported MIDI files when MIDI parts use Velocity on the info line to subtract values.

The on/off state of the Pre filter section is now stored in the Pre filter presets.

The link of a send panner to the channel panner now works correctly when send destinations have a different format.

In macOS, the Direct Offline Processing user interface no longer turns red sporadically after a period of extensive operations.

When using Direct Offline Processing, Time Stretch on audio files with a sample rate other that 44.1 kHz no longer creates artefacts when auditioning.

It is now possible to trigger macros via key commands when the Process Bars dialog is open.

Using modifier keys no longer fails when editing in Windows 10 (e.g. Alt-drag for duplicate).

Acoustic feedback is now working correctly when clicking on a scale event.

Changes made in an ARA extension editor are now restored correctly when the operation is undone and then redone.

Switching between track versions no longer resets ARA extension settings.

Overwriting existing audio mixdown files no longer creates files with the wrong length in macOS.

When executing a job queue in Export Audio Mixdown, an incorrect error message about missing cycle markers is no longer displayed.

Note names in the Inspector for expression maps are now shown correctly.

Importing a track archive that references multiple audio files of the same name now works as expected.

The Auto-Scroll with Project Cursor button in the ADR/Markers window now works as expected.

When using immersive channels as multi-objects, objects now consistently sound from the correct top and bottom speakers.

The level of Dolby Atmos objects can now be adjusted using the channel fader in all instances.

Changing the routing while a channel was configured as an object no longer renders the application unresponsive.

The exported ADM files no longer contain object automation on tracks where the Read Automation button is inactive.

The Game Audio Connect user interface is now scaled correctly in HiDPI screen resolutions.

Game Audio Connect can now send events with duplicated names to Wwise.

The Reconform user interface is now scaled correctly in HiDPI screen resolutions.

Scrolling in the Reconform user interface no longer renders the application unresponsive.

The Rename Events from List user interface is now scaled correctly in HiDPI screen resolutions.

Presets could not be loaded.

Default color changed for +3 dB (channel meter).

Modified tail size of Direct Offline Processing is no longer ignored if “Pin Process” is activated.

Modifying Direct Offline Processing Pitch Shift no longer causes an undesired event length change when used in a chain with other processes.

The user interface of plug-ins without HiDPI compatibility is now correctly displayed in Direct Offline Processing at all screen resolutions.

The Direct Offline Processing user interface has been changed so that the Extend Process Range and Tail functions cannot be used together to prevent malfunctions.

Project content was misaligned by several frames when tracks were imported from another project that used an unrounded start time. This has been corrected.

Exported AAF files now correctly translate Audio Alignment with phase inversion.

The naming of the 7.0 Music (Dolby), 7.0 Cine (SDDS), and 7.1 Cine (SDDS) channel layouts has been changed to 7.0, 7.0 SDDS, and 7.1 SDDS.

Dragging audio events within the Audio Part Editor no longer causes incorrect snapping.

Using the Project Logical Editor to toggle "Track Operation: Inserts Bypass" now works correctly for all track types, e.g. on instrument tracks.

In the Project Logical Editor, the "Event is muted" property no longer appears twice in the Parameter 1 menu.

We have improved the compatibility of VST AmbiDecoder for use with HRTF SOFA files from Genelec Aural ID.

Events in the Key Editor are no longer deselected when pressing modifier keys very shortly after clicking on events to select them.

The key command "Edit Channel Panner for selected" now works, even if the MixConsole window is not focused.

The High- and Low-Cut Pre-Filters now use dedicated Activate/Deactivate buttons, which can be operated independently of the frequency sliders.

We have improved the precision of the SuperVision Spectrum Curve display.

We have improved the display responsiveness of the Imager plug-in.

The MIDI Gate plug-in did not produce audible artefacts in some cases. This has been corrected.

On the Nuage FD screen, the 3D pan position is now correctly visualized.

With an Avid S6 console attached, loading or closing projects caused unusually slow response times. This has been corrected.

The potential score rendering issue that occurred when using "Tablature" in Staff Settings has been corrected.

The key command for "Solo" now works properly within the Score Editor.

When scrolling in Rename Events from the List user interface.

When the toolbox on right-click is left open while an Editor window is closed.

When adding tracks with an Avid S6 console attached.

The ADM object source track configuration was reset after the Render in Place function was used.

Selecting a bed in an unsupported format (e.g. 5.1.4) as ADM object source track rendered the application unresponsive.

Removing a track that was configured as ADM object could render the application unresponsive.

We increased the accuracy of the Set Spacer between Selected Events time to three decimal places.

List Editor did not remember it's last used "Filters" settings.

Aborting an Export Audio Mixdown sometimes rendered the application unresponsive.

An exported WAV file contained no tempo information when an Audio Export Mixdown Job Queue was used.

Using the Backup Project function could stall the application for a longer time if the project folder contained a lot of files.

Nuendo did not scroll to the position of the selected track in the MixConsole as expected.

The tooltip about frequency, note, cents, dB was missing when hovering with the mouse inside the Channel Settings window Equalizer area.

The MixerDelay plug-in used in Direct Offline Processing sometimes showed an incorrect number of channels or random characters.

Double-clicking on disabled M/S band did not activate it in Frequency 2

We fixed several issues with regards to parameter reset in Frequency 2.

Some plug-ins with a resizable user interface were not displayed correctly.

The Reset All function (ALT+Reset) of the Frequency 2 plug-in did not reset all parameters.

SuperVision plug-in user interface didn't allow module focus change using the TAB key.

SuperVision Phasescope now has enhanced Auto Zoom for low level signals.

Sampler Tracks were referencing to the wrong audio files.

Sample did not play when it was exchanged while AudioWarp in the Sampler Control tab was active.

When selected, certain key commands with the Chord Track could render the application unreliable.

Adding a Transpose Track to specific projects could render the application unreliable.

Exporting a MIDI file from projects which were originally created in Cubase AI/Cubase LE/Cubase Elements could render the application unreliable.

Direct Offline Processing Pitch Shift caused undesired event length changes when Extend Process Range was used.

Direct Offline Processing Pin Process was unpinned when the window was closed.

In some cases incorrect note heads were displayed in Tablature Mode.

Printing scores could render the application unreliable while a Note Editing Overlay was still open.

Multi-channel files split by the Convert Tracks or Split Channels function could cause unexpected behavior when configured as ADM objects.

Processing audio using the ARA extension did not work correctly if the media file path contained non-ASCII characters.

Track Quick Controls could not be operated after unfreezing Instrument Track.

For some audio hardware devices, the port names were not properly shown in the Studio Setup on macOS systems.

Macros could not be executed while the Process Tempo window was open.

The color indication for active filters in the Toolbar was not working correctly.

Rating media files in the MediaBay no longer lets entries in the result list disappear afterwards.