Do you have a particular approach to producing a track? Have you got any kind of studio rituals?
I always begin with a concept in my head drawn from the natural world which I would like to set to music. This helps me to create an image of the kind of picture I want to paint. For instance, the cover of "Mannigfaltig" was finished long before I even started to make any of the music. I've already drafted the cover art for the next album, too. Making music is nothing other than making choices from an endless range of options. When I've got the concept down then I've already got a good idea of the direction I want to go in, for instance, that in this case, it would be exactly twelve tracks. I usually start by laying down the main melodies or writing them in Cubase score editor, then I lay down the pads and basslines which fit them harmonically. Finally, I program a suitable drum track. When I've got enough content then I start to arrange the piece. Some parts get cut in the process because they're not needed and those which I feel are necessary at that point are created on the spot.
I do the rough mix while I'm creating the track and leave the fine-tuning until the very last. I mix "in the box" which is the best fit for my way of working. In terms of the sound, if you avoid digital clipping I see it as having more advantages than disadvantages, otherwise, you always lose something in the conversion. Before doing the mixdown I always pull all the faders down by the same amount using the VCA fader, so as to make enough headroom for the mastering.
Another one of the great advantages of working this way is that you can constantly refine the subtle nuances, which is something I'm an expert at.