Nuendo 11.0.20 Release notes
April 22, 2021
We have added the following capabilities:
macOS Big Sur and Apple silicon Rosetta 2 support
Nuendo 11.0.20 now officially supports macOS Big Sur. Also, we have completed our tests on Apple’s new M1 system, and we are happy to announce that Nuendo 11.0.20 officially supports the Rosetta 2 translation layer. Please still make sure that your whole system, including your third-party plug-ins and audio device drivers, support Big Sur and Rosetta 2 in order to avoid instabilities.
EuCon and Track Visibility
There is a new option in the Studio Setup > Remote Devices > EuCon control panel that allows you to apply the channel visibility status of the MixConsole to connected Avid control surfaces. This option only affects EuConized channels that are autoassigned in the EuControl settings.
New scaling options in HiDPI mode on Windows 10
There are new scaling options available for HiDPI mode in Windows 10. In Preferences > General, the application can now be set up with a predefined scaling factor different to the one set in the Windows Display settings. You can increase or decrease (from 25% to 50%) the scaling factor attributed to the application from the one set as default in the Windows Display settings. Please make sure you restart the application to apply the changes.
We have corrected the following features and functionality:
The Auto-Scroll with Project Cursor button in the ADR/Markers window now works as expected.
The text in the ADR video overlay is now displayed with the correct font (Windows only).
When using immersive channels as multi-objects, objects now consistently sound from the correct top and bottom speakers.
The level of Dolby Atmos objects can now be adjusted using the channel fader in all instances.
Changing the routing while a channel was configured as an object no longer renders the application unresponsive.
The exported ADM files no longer contain object automation on tracks where the Read Automation button is inactive.
The content from an imported ADM project is now always placed with the correct offset.
Only valid layout formats can be selected for beds in the ADM Authoring for Dolby Atmos window to prevent malfunction.
The External Dolby Atmos Renderer Setup now has the option to store and restore device port mappings as presets.
Audio channels in 22.2 format can now be used as multi-objects in ADM authoring for Dolby Atmos.
Game Audio Connect
The Game Audio Connect user interface is now scaled correctly in HiDPI screen resolutions.
Game Audio Connect can now send events with duplicated names to Wwise.
It is now possible to connect to a Perforce server with SSL encryption.
Game Audio Connect now supports the Perforce server authentication ticket system.
The Reconform user interface is now scaled correctly in HiDPI screen resolutions.
Scrolling in the Reconform user interface no longer renders the application unresponsive.
Scrolling through a long list of video files in the Reconform user interface no longer renders the application unresponsive.
Rename Events from List
The Rename Events from List user interface is now scaled correctly in HiDPI screen resolutions.
Scrolling in the Rename Events from List user interface no longer renders the application unresponsive.
Meters & colors
There were some issues with the meters and the meter coloring in the last update that have now been fixed:
Presets could not be loaded.
Default color changed for +3 dB (channel meter).
In the Meter tab, +6 dB and +12 dB digital scales were removed.
Removing projects from the list in the Hub
"Remove from list" now works as intended in the Project Assistant of the Steinberg Hub.
Double-click Stop to return to start
When Preferences > Transport > Return to Start Position on Stop is disabled, clicking twice on the Stop button in the Transport Bar now correctly returns to start.
"Could not create record file" issue
Some users reported that they were unable to record audio since updating to Nuendo 11. This issue was caused by the removal of the support of the Wave 64 format.
When loading projects created in versions using the Wave 64 format, it was not possible to activate "Record Enable" on audio tracks and an error message was displayed.
Inverted mouse wheel zoom on macOS
Zooming with modifier key and mouse wheel is no longer inverted when "Scroll Direction: Natural" is disabled in the macOS preferences for Trackpad/Mouse.
Direct Offline Processing
Modified tail size of Direct Offline Processing is no longer ignored if “Pin Process” is activated.
Modifying Direct Offline Processing Pitch Shift no longer causes an undesired event length change when used in a chain with other processes.
The user interface of plug-ins without HiDPI compatibility is now correctly displayed in Direct Offline Processing at all screen resolutions.
The Direct Offline Processing user interface has been changed so that the Extend Process Range and Tail functions cannot be used together to prevent malfunctions.
Direct Offline Processing now takes the record file format settings into account for processed edit files.
When deactivating Pin Process in Direct Offline Processing, a selected plug-in will now remain in the process list, even if not applied.
Direct Offline Processing no longer causes invalid audio file names when processing plug-ins that use special characters in their name.
Activating Pin Process in Direct Offline Processing no longer applies the process ifAuto Apply is turned off.
Importing and exporting
Project content was misaligned by several frames when tracks were imported from another project that used an unrounded start time. This has been corrected.
Exported AAF files now correctly translate Audio Alignment with phase inversion.
Referenced media files of tracks imported from a project or track archive can no longer be deleted from their origin path if the project is closed without saving.
The naming of the 7.0 Music (Dolby), 7.0 Cine (SDDS), and 7.1 Cine (SDDS) channel layouts has been changed to 7.0, 7.0 SDDS, and 7.1 SDDS.
Dragging audio events within the Audio Part Editor no longer causes incorrect snapping.
Using the Project Logical Editor to toggle "Track Operation: Inserts Bypass" now works correctly for all track types, e.g. on instrument tracks.
In the Project Logical Editor, the "Event is muted" property no longer appears twice in the Parameter 1 menu.
We have improved the compatibility of VST AmbiDecoder for use with HRTF SOFA files from Genelec Aural ID.
Events in the Key Editor are no longer deselected when pressing modifier keys very shortly after clicking on events to select them.
The Filter field in the Add Parameter dialog for automation parameters is now always properly visible.
Dragging Chord Pads into the Project window is now working reliably.
Improved reliability of playback when previewing MIDI files in the Media Rack.<br> </br>Sends are no longer incorrectly panned in a surround to stereo routing if Link Panner was active.
Preferences > VST > Plug-ins > "Plug-in Editors “Always on Top”: The behaviour has been changed so that this preference now defines the default state in which plug-ins are opened.
Each plug-in still remembers its individual "Always on Top" state when you manually change it for a specific plug-in window.
The key command "Edit Channel Panner for selected" now works, even if the MixConsole window is not focused.
The High- and Low-Cut Pre-Filters now use dedicated Activate/Deactivate buttons, which can be operated independently of the frequency sliders.
Author and Company names entered in the Preferences will now be used as default in the Project Setup dialogue.
In the Project Setup dialog, the Record File Type and Bit Depth selection menus have been changed so that only valid combinations can be set.
We have improved the precision of the SuperVision Spectrum Curve display.
We have improved the display responsiveness of the Imager plug-in.
The MIDI Gate plug-in did not produce audible artefacts in some cases. This has been corrected.
The Reset function of the Frequency plug-in now works correctly.
The Auto LFO MIDI effect no longer sends data when disabled.
On the Nuage FD screen, the 3D pan position is now correctly visualized.
With an Avid S6 console attached, loading or closing projects caused unusually slow response times. This has been corrected.
On the Steinberg CC121 controller, the Stop button is now always functional.
The potential score rendering issue that occurred when using "Tablature" in Staff Settings has been corrected.
The key command for "Solo" now works properly within the Score Editor.
The option "MIDI Channel 1-6" now works when using "Tablature Mode" in the Score Settings/Staff tab.
We have improved the stability of several workflows:
When scrolling in Rename Events from the List user interface.
When the toolbox on right-click is left open while an Editor window is closed.
When adding tracks with an Avid S6 console attached.
When searching in the MediaBay.
When setting the Audio Connections window to "Always on Top".
Waves XCracke and WNS version 12 no longer render the application unresponsive when used as plug-ins in Direct Offline Processing.
Nuendo 11.0.10 Release Notes
January 27, 2021
Apple Metal support
We have received reports about graphical issues (spinning balls) on systems using AMD Radeon Pro Vega series graphic cards on macOS previous to macOS Big Sur. Apple has fixed the issue with macOS Big Sur. If you don’t want to or cannot update to macOS Big Sur, we have added a new preference, Disable GPU Acceleration in the category User Interface. This will solve the issue on versions of macOS prior to Big Sur. Be aware that selecting the preference will considerably affect the performance of the user interface.
Steinberg Houston Controller
Although the Houston controller is no longer supported by Steinberg and has been removed from the remote list in Nuendo 11, we have re-introduced it as an unsupported device in the list. However, we have not tested it and we cannot guarantee full functionality in Nuendo 11.
We have corrected the following features and functionality:
The ADM object source track configuration was reset after the Render in Place function was used.
Selecting a bed in an unsupported format (e.g. 5.1.4) as ADM object source track rendered the application unresponsive.
Removing a track that was configured as ADM object could render the application unresponsive.
Selecting the external Dolby Atmos Renderer could render the application unresponsive in certain configurations.
VST MultiPanner Object/Bed Mode remained in an undefined state after an ADM file was exported.
ADM object IDs were not always retained properly when the audio device driver was changed.
We increased the accuracy of the Set Spacer between Selected Events time to three decimal places.
List Editor did not remember it's last used "Filters" settings.
Constraint Direction key modifier was not working properly when editing Automation data.
MIDI CC Curves were not playing correctly after tempo was changed.
Importing and Exporting
Aborting an Export Audio Mixdown sometimes rendered the application unresponsive.
An exported WAV file contained no tempo information when an Audio Export Mixdown Job Queue was used.
Using the Backup Project function could stall the application for a longer time if the project folder contained a lot of files.
On the Field Recorder Audio Import user interface, the busy indicator didn't work while a search was in progress.
Imported MXF audio files in 32-bit (int.) format sounded distorted.
When importing a Track Archive, some audio files were reported as 'missing', although they were present in the Media folder.
Nuendo did not scroll to the position of the selected track in the MixConsole as expected.
The tooltip about frequency, note, cents, dB was missing when hovering with the mouse inside the Channel Settings window Equalizer area.
Color indication for active Channel Visibility in the Toolbar was not working correctly.
The Link button in the Toolbar did not work as expected.
The MixerDelay plug-in used in Direct Offline Processing sometimes showed an incorrect number of channels or random characters.
Double-clicking on disabled M/S band did not activate it in Frequency 2
We fixed several issues with regards to parameter reset in Frequency 2.
Some plug-ins with a resizable user interface were not displayed correctly.
The Reset All function (ALT+Reset) of the Frequency 2 plug-in did not reset all parameters.
SuperVision plug-in user interface didn't allow module focus change using the TAB key.
SuperVision Phasescope now has enhanced Auto Zoom for low level signals.
SuperVision caused an unusual processing load on Mac systems.
Imager plug-in latency was not correctly updated when the amount of enabled bands changed.
We fixed an inconsistency in gain reduction display between the Compressor plug-in and the Standard Compressor in the Channel Strip.
The relative parameter link was not working properly for Threshold Up/Down parameters in Squasher.
SMPTE Generator plug-in didn't store or recall the time code offset values correctly.
SMPTE Generator plug-in caused a slight sync inaccuracy at frame rates of 23.98, 24 and 29.97 fps.
Sampler Tracks were referencing to the wrong audio files.
Sample did not play when it was exchanged while AudioWarp in the Sampler Control tab was active.
Sampler Control settings were reset when a sample was dragged from the project window and dropped to the Sampler Control tab.
When selected, certain key commands with the Chord Track could render the application unreliable.
Adding a Transpose Track to specific projects could render the application unreliable.
Exporting a MIDI file from projects which were originally created in Cubase AI/Cubase LE/Cubase Elements could render the application unreliable.
Selecting tracks in projects which were originally created in Cubase AI/Cubase LE/Cubase Elements could render the application unreliable.
Loading projects containing automation on frozen and disabled Instrument Tracks could render the application unreliable.
We improved the stability for operating the application with EuCon-based Avid remote surfaces.
Direct Offline Processing
Direct Offline Processing Pitch Shift caused undesired event length changes when Extend Process Range was used.
Direct Offline Processing Pin Process was unpinned when the window was closed.
The waveforms of audio events could disappear at high zoom levels after applying Direct Offline Processing.
In some cases incorrect note heads were displayed in Tablature Mode.
Printing scores could render the application unreliable while a Note Editing Overlay was still open.
When working in Japanese language, some strings were shown truncated at the left side in different parts of the user interface (macOS only).
Multi-channel files split by the Convert Tracks or Split Channels function could cause unexpected behavior when configured as ADM objects.
Processing audio using the ARA extension did not work correctly if the media file path contained non-ASCII characters.
Track Quick Controls could not be operated after unfreezing Instrument Track.
For some audio hardware devices, the port names were not properly shown in the Studio Setup on macOS systems.
Macros could not be executed while the Process Tempo window was open.
The color indication for active filters in the Toolbar was not working correctly.
Rating media files in the MediaBay no longer lets entries in the result list disappear afterwards.
Group & FX tracks had missing Track Controls and labels under certain conditions.
Using Live Input in conjunction with the Chord Track, resp. Snap Live Input in the Scale Assistant, created audible gaps while MIDI recording.
The Apply button in the Studio Setup had no effect when attempting to change settings for remote devices, such as CC121.
Control Room related parameters did not respond to incoming MIDI messages in Generic Remote setups.
The compatibility with EuCon-based Avid control surfaces has been improved.
Sampler Tracks can now be shown or hidden as EuConized channels.